A snippet from A SONG WITH TEETH

All I have for you this week is a snippet from my current work-in-progress, A Song with Teeth, the third Los Nefilim novel. This comes from the first page and may or may not make it through the final edit:

“I will tell you a story,” the Nazi murmurs in his captive’s ear. “About two brothers …”

He pauses and stares outside the window, seemingly lost in the thread of his thoughts. For several minutes, the only noise is the susurrations of snow, whispering across the glass.

From somewhere within the great house, a door is shut, rousing the Nazi from his dream. He shakes his head and smiles a terrible smile full of bitterness and teeth—such long teeth he has …

The captive shivers.

The Nazi’s lips widens and now he grins. “A story about two brothers under night and fog …”

CODENAME: NIGHTINGALE
30 December 1943
Mauthausen Concentration camp

Prologue

They call him the Nightingale. It is his codename and it follows him into the camps.

In the beginning days of the conflict, the Nightingale is a new member of Los Nefilim, not yet tested. His handler is known as the Violinist. They barely had time to know one another before the war came, but when it did, the Violinist gave the Nightingale the most precious of gifts: his trust.

The other members of Los Nefilim call the Violinist a fool for assigning his MACHIAVELLI line in Paris to the Nightingale, but the Violinist is an old nefil of rank—none dare do more than grumble. The Nightingale is entrusted with composing songs, the first notes designed to be the Morse code that will convey messages to the Resistance. As his music is played on German radios, the Nightingale slowly earns Los Nefilim’s respect.

When the MACHIAVELLI line is compromised by outside sources, the Violinist manages to send a message. It comes too late for the Nightingale to evade the Gestapo, but the Violinist’s instructions are clear: Hold out for forty-eight hours, then tell them what they want to know. If they take you to the camps, find the Spaniards. You are one of us. We will watch for you.

And that’s the work-in-progress. I have a lot more and this is heavily edited, but it gives you an idea of how the third book begins. All of this might stay, or it might change drastically in the final edits.