I loved this movie. I want to get that out of the way from the beginning. Yes, there were a few plot holes, but A Quiet Place was about the one thing I love: the characters. Rather than a shoot-em-up, run-around-and-get-slashed horror movie, John Krasinski gives us a very intense human drama.
The horror of A Quiet Place isn't the actual violence, but the constant threat of violence the family endures as they try to survive.
Each of the actors brought a superb level of talent to their roles. I loved Emily Blunt as the Evelyn Abbott. Her subtle facial expressions spoke volumes. Millicent Simmonds is a fine young actress, and I hope Hollywood finds many more roles for her. Likewise, Noah Jupe and Krasinski were excellent.
I was so caught up in the family's survival that the story's few plot holes didn't ruin my enjoyment of the film. Although to be honest, the rigged cochlear processor bothered me in that a cochlear processor doesn't emit sound the same way a hearing aid does. A hearing aid amplifies sound and can often give feedback. A cochlear implant bypasses the damaged portion of the ear to directly stimulate the auditory nerve. So these two things are not the same.
However, since it was a tricked-up processor in A Quiet Place, I was willing to suspend belief and shush my ridiculous mind every time it bleeped: BUT HEY, THAT'S NOT HOW HOW A PROCESSOR WORKS. Meanwhile another part of my brain was going: THAT IS THE COOLEST LOOKING PROCESSOR AND COIL AND THAT I'VE EVER SEEN AND I WANT ONE.
Frankly, I gushed about the movie all the way home.
What made me squeal: My daughter and both squealed out loud when the camera zoomed in on Regan's cochlear implant. Cyborgs save the world!
What jarred me: When the subtitles suddenly dropped off the screen during the few spoken parts.
That was the one big downer of the film for me. Fortunately, between my own cochlear implant and my ability to lipread*, I was able to put together the gist of the conversations. Someone who is born deaf might not be able to do the same thing, which brings me to my biggest issue with A Quiet Place: the scenes with ASL** are captioned for the hearing audience, but the spoken scenes were not captioned for the deaf audience.
Given all of the other stellar points of the movie, this seems like something to nitpick, but it's not. A few hearing people have pointed out that they found it jarring when the captions suddenly stopped. For those of us who rely on those captions to understand the dialogue, it was like someone suddenly shut off the sound.
Their lips moved but we couldn't understand what they were saying.
So let's use it as a teaching moment of what ableism looks like in practice. Given the efforts made to promote this movie based the family's use of ASL to communicate with one another and having Simmonds as the lead, I can only see the lack of captioning during the speaking parts as an oversight--one that detracted from the overall theater experience for me.
Under no circumstances do I want to disparage the sincere effort that was made to bring Simmonds into the project so as to make Regan's experience as authentic as possible. At the same time, I don't feel it's inappropriate to point out ways that the movie could have been better, and of course, more inclusive. The most obvious way is by captioning the entire movie.
I hope captioning movies is something future filmmakers will consider. Since box office numbers are so valuable, I just want to point out that I, and many other deaf people, would go to more movies if captioning was available for the entire film. Just pretend that deaf people speak a different language (we do) and then caption appropriately. Otherwise, we'll be waiting for the DVD, which will come with subtitles.
[Note: this is not the place to inform me about assistive devices theaters use to provide captioning. Not all theaters have them and according to many deaf people, the captioning boxes don't always work correctly. So no. I'll wait for the DVD.]
Meanwhile, A Quiet Place is, in many ways, as important to the horror genre as Get Out. Please go see the movie. Even knowing what I know now, I highly recommend A Quiet Place to everyone.
At the same time, please don't stop advocating for captioning on all movies as well.
*I am a late-deafened adult. I began to lose my hearing around age twelve and over time, I became completely deaf. Because no one in my family used ASL, I had to develop other coping mechanisms in order to communicate. I now have a cochlear implant in my right ear, which gives me around 62% speech discrimination (at the date this article was written—as of 2019, I have 82% speech discrimination with my processor). Without my processor, I have 0% speech discrimination and rely on lipreading. I am in the process of learning ASL.
**Some folks have noted that the shots made some of the ASL difficult to understand, too. However, these scenes were also fully captioned.
Frohock has intricately woven a unique reinterpretation of history. Eloquent prose accompanies a lyrical theme amid prewar tensions, enriching this imaginative historical fantasy. –starred review, Publishers Weekly
Where Oblivion Lives is available at Scuppernong Books | HarperCollins | IndieBound. You can find links to Amazon and B&N at the HarperCollins link. If you're an audiobook fan, we've got you covered: the audiobook is narrated by the talented Vikas Adam and is available from Audible.
A few people have asked if you have to read the novellas first in order to enjoy Where Oblivion Lives. The answer is no, BUT if you want to read them, you can find the Los Nefilim omnibus at HarperCollins, as well as links to the individual novellas right here.